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Papers On Artists, Art Genre, & Famous Works Of Art
Page 7 of 77
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Defining the Female Canon
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A 5 page research paper that addresses the field of art criticism and how, traditionally, the art world has either ignored or belittled the work of female artists. Beginning with the feminist theory of Simone de Beauvoir and continuing to the work of Linda Nochlin, and finally to the tongue-in-cheek analysis of art history by the 'Guerrilla Girls,' the writer argues that there is a considerable canon of female artistry that deserves to be examined and appreciated. Bibliography lists 4 sources.
Filename: 90grrart.rtf
Ko Hung's The Moon Rises
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This 5 page paper takes a look at Asian art and most specifically The Moon Rises which was created at the end of the Ming era. The work is evaluated in the context of the time period. Composition and content are discussed as well as the political climate of the day. Bibliography lists 2 sources.
Filename: SA240Ko.rtf
'Art Past, Art Present' by Wilkins and Schultz: A Specific View of...
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This 4 page report discusses both the text itself and the work of two different 'modern' artists - Jasper Johns and Diego Rivera -- from the book 'Art Past, Art Present.' By examining the work of artists within a specific timeframe, the authors also present a larger view of human history and culture. Bibliography lists only the text itself as a source.
Filename: Artpast.rtf
'Hagar' by Edmonia Lewis (1875)
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A 5 page reaction paper to this extraordinary marble representation of the biblical character emphasizes a variety of emotional responses. Several points are made including the artist's possible perception, the masculinity of the piece along with its angelic qualities.The figure's relationship with the biblical tale is also noted.
Filename: Hagar.doc
“Bernini and Gimaud”
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A paper which looks at the similarities between Bernini, the foremost artist of the High Baroque period, and Gimaud, one of the most prominent members of the Art Nouveau movement, in terms of their interpretation of their respective cultures and their use of innovatory forms and materials.
Bibliography lists 4 sources.
Filename: JLBern.rtf
“Clockwork Orange” and Presumably Offensive Art
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A 7 page paper which examines
the film “Clockwork Orange” as well as other art forms that are generally considered to be
somewhat offensive. The paper then examines two artists who have been known to shock
viewers. Those artists are the photographic artist Andres Serrano and the performance
artist Gina Pane. Bibliography lists 3 sources.
Filename: RAclock.rtf
“Crumb” and “Basquiat”
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A 10 page paper which compares the artwork seen in the
film “Crumb,” about Robert Crumb, and “Basquiat,” a film about Jean Michel Basquiat.
2 additional sources cited.
Filename: RAcrumb.rtf
“David” as Seen by Donatello, Michelangelo and Bernini
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A 5 page paper comparing the early and high renaissance depiction of David of Donatello and Michelangelo with the baroque representation of Bernini. The viewer is left guessing at what juncture Michelangelo’s David is standing both tense and serene. Donatello’s David clearly has finished his mission but gives no information about the moments preceding. Bernini, by using the baroque concept of time, combines these approaches, thereby placing himself into the baroque period through technique, as well as through chronology. Bibliography lists 10 sources in 14 footnotes.
Filename: KSartDavid.rtf
“Italian and Russian Futurism”
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An eight page paper which considers some of the similarities and differences between the Italian and Russian Futurist movements of the early twentieth century, in terms of their political and artistic aims and the extent to which they influenced other movements in Europe and the development of the avant-garde as a whole.
Bibliography lists 3 sources.
Filename: JLfuturism.rtf
“Self Portrait with Horn” by Max Beckmann
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An 8 page paper which analyzes the painting Self Portrait with Horn by Max Beckmann. No sources cited.
Filename: RAhornmx.rtf
“September Morn” by Paul Chabas
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A 5 page paper which examines the painting
“September Morn” by Paul Chabas. Bibliography lists 1 source.
Filename: RAchabas.rtf